供石專輯
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氣卷雲烟漫滄海
余之緣石，因藉以寄筆墨，初因畫得石，後因石得畫，以至抱一拳為深山，窺一孔為桃源，與襄陽同癖矣。石可亡國，見之廟堂；石亦承道，存乎齋室。道，或存乎器，是器可識，而道不可言也。譬如古人插花，不言花道而曰瓶花。瓶者，器也，以納新，以存道。石亦與之近也，石不言玩，而曰供、曰養。供者石也，養者道也。
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石為岩骨，大地之內核，故能與人同化。石緣發見採集而入齋室，修治滌塵而全形神，吟詠題刻而寄精神，配飾底座而彰其位。發見採集即相石也，相石貴乎識見，析石理、斷古今、判高下是為鑒，寄遊觀、棲閒心、發幽思是謂賞。相石有妙訣而無定法，而貴乎氣質相投，是謂瘦皺漏透各臻其妙，清朗潤和自得其趣。修治因有石瑕，乃輔助之功。古人有輕其不天成者，余以為應因技而論之，劣工固然敗石，若借妙手，則添錦花。修治貴順勢而為，蓋心通造化，手下必生自然。
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譬如盆栽，纏繞扭曲只是為病，剪裁縮放乃正法。剪裁需辨花木生長之理，然後依理而下，如此方造真境，能為大匠。吟詠題刻，因寄精神，得宜最難，題須辭雅書妙、刻必工巧技絕。若石玲瓏無暇、面面俱景者，可書刻於座中，所謂“石無款而不文”，非止于石上者也。石座初以穩固設之，久而為飾。座，位也。石因座而彰位，因座而全神，座可為托花之葉，亦為存道之器。然有奇物天成，如毋假修治、不拘束縛之傲岸者，則不可削足而就履，器雖可存道，而一味執器，道毀矣
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格物盡理，或近乎道，若以此格今之所謂道者，恐多東海泊來之意，故借石以說，作齊東鄉野之辯。
丙申荷月上浣且安于人倚樓
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谢谢楼主分享。 谢谢楼主分享。 好贴，学习了。 分享亦快乐。:liaobuqi： 十分精彩，顶贴支持！ 谢谢楼主分享。
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